[210] The writer died on November 24, at three o'clock in the afternoon. "[144] He also attempted to build a machine for extinguishing chimney fires. This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people.All interested editors are invited to join the project and contribute to the discussion.For instructions on how to use this banner, please refer to the documentation. For a while in the 1920s, he edited the literary supplement of Universul newspaper. [260] The writer himself claimed that the piece evidenced "the uttermost breath of inspiration I have ever felt in my life. Dimitrie Macedonski (n.1780 sau 1782 - d. 10 ianuarie 1843, București) a fost bunicul pe linie paternă al poetului Alexandru Macedonski, căpitan pandur din Țara Românească și lider revoluționar.. Biografie. [115] Two years later, Macedonski himself published French-language translations of his earlier poetry under the title Bronzes, a volume prefaced by his disciple, the critic and promoter Alexandru Bogdan-Pitești. [48] Reportedly, the Bucharest populace organized a spontaneous celebration of the verdict. “Alexandru Macedonski; poet, esotericist and dandy, was one of the most colourful and provocative figures of late 19th century Romanian Literature. "[223] Vianu, who notes Macedonski's "exclusivity" and "fanaticism", places such statements in connection with Macedonski's personal ambition, "pride" and "the willingness to carry out ventured actions [...], in stated opposition with the entire surrounding and with contempt for the foreseeable reaction. His first poetic efforts were published in a book entitled in Latin Prima Verba (First Words, 1872). [118] Two years later, he attempted to relaunch Literatorul under the leadership of liberal figure Bogdan Petriceicu Hasdeu, but the latter eventually settled for founding his own Revista Nouă. [3][180] Macedonski himself was seated on a throne designed by Alexis, and adopted a dominant pose. See also Boia, p.190, 245, Vianu, Vol.II, p.362-363, 365, 366-367, 371-372, 376, Călinescu, p.516, 520; Vianu, Vol.II, p.363, Anghelescu, p.11; Cioculescu, p.63; Răileanu & Carassou, p.152; Sandqvist, p.199, 382; Suciu, p.109-110; Vianu, Vol.II, p.366, Călinescu, p.525-526; Vianu, Vol.II, p.365, 414-418. [338] Tudor Vianu remarks: "In Dante's great self-pride, Macedonski found his own. Alexandru Macedonski (Romanian pronunciation: [alekˈsandru mat͡ʃeˈdonski]; also rendered as Al. [192] Macedonski's work was analyzed and popularized by a new generation of critics, among them Vianu and George Călinescu. [164] He sent a paper on astronomy subjects to be reviewed by the Société Astronomique de France, of which he subsequently became a member. What we have all agreed to deem society Vlahuță's articles include several other attacks on Macedonski (Anghelescu, p.15). [274] Another such play is 3 decemvrie ("December 3"), which partly retells Friedrich Ludwig Zacharias Werner's Der 24 Februar using Naturalist devices. Chendi wrote of Macedonski being "the caricature of a man", having "a feverish mind" and being motivated by "the brutal instinct of revenge". [357] A more discreet legacy of Macedonski's ideas was also preserved inside the conservative and traditionalist camps. He formulated the theory of “instrumentalism,” or neoromanticism, which served as an introduction to Rumanian symbolism (discussed in his article “Poetry of the Future,” 1892). [169] His efforts were largely fruitless, and, accompanied by his son Alexis, the poet left France, spent some time in Italy, and eventually returned to Romania. [273] Around the time of its completion, Macedonski was also working on a similarly loose adaptation of William Shakespeare's Romeo and Juliet, which notably had the two protagonists die in each other's arms. Am râs de sfintele mistere Translated and annotated by Valentin Petcu. [401] Alongside other writers who visited Terasa Oteteleșanu, Macedonski was notably portrayed the drawings of celebrated Romanian artist Iosif Iser. "[227] He later revised part of this verdict, and, making explicit his adoption of aestheticism, spoke against trivial subjects and in favor of the sublime. II, p.373-376, According to Anghelescu (p.12), Cioculescu (p.137) and Vianu (Vol. [387], Macedonski's status as one of Romanian literature's greats was consolidated later in the 20th century. 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